Ludwig Mies van der Rohe, Neue Nationalgalerie, 1962 - 1968

Berlin’s Neue Nationalgalerie stands as one of Ludwig Mies van der Rohe’s final masterpieces: a temple of modernism reduced to its purest form. Completed in 1968, the museum’s striking steel-and-glass pavilion embodies Mies’ famous maxim “less is more.” Its floating roof, supported by eight cruciform columns, creates a monumental yet weightless presence—an architectural icon of clarity and precision.

This print reimagines the building in careful detail, highlighting its structural elegance and the balance of light, shadow, and geometry that define Mies’ vision.